This collection represents a sample of faculty work from the Department of Art and Art History. The specific education of artists and of art historians, which includes technical skills, visual analysis, and research methodologies, are taught within the context of our liberal arts institution. The department values providing a strong liberal arts education and writing and critical thinking skills are emphasized in all art courses.

Follow

Submissions from 2014

Link

Florence Ayscough: pioneer promoter of modern Chinese painting in America, Zaixin Hong

Submissions from 2013

Link

A Newly Made Marketable ‘Leftover’: Luo Zhenyu’s Cultural Capital in Kyoto after the 1911 Revolution, Zaixin Hong

Zhongguo Meishushi (A History of Chinese Art), Zaixin Hong

Maier Hall Art Guide, Janet Marcavage

Link

Modalities Of Representation: Symbol And Narrative In 16th-century Murals At The Convent Of Izamal, Yucatán, Linda K. Williams

Link

Modalities of Representation: Symbol and Narrative in 16th-Century Murals at the Convent of Izamal, Yucatan, Linda K. Williams

Submissions from 2012

Link

Issues of Provenance in the Last Emperor’s Art Collecting, Zaixin Hong

Link

Moving onto a World Stage: The Modern Chinese Practice of Art Collecting and Its Connection to the Japanese Art Market, Zaixin Hong

Link

Shi zhi lv: Zhongguo he Renben de shiyi hua (The Lyric Journey: Poetic Painting in China and Japan, by James Cahill), Zaixin Hong

Link

Spring Dawn on Penglai and Yingzhou: Wang Jianzhang’s 1638’s The Isles of the Immortals on a Spring Morning, Zaixin Hong

Link

Unveiling and Consuming Art in the Multifarious Spaces of Early Modern China (Review of: Pictures for Use and Pleasure: Vernacular Painting in High Qing China by James Cahill and Sensuous Surfaces: The Decorative Object in Early Modern China by Jonathan Hay), Zaixin Hong

Link

Worthy of Your Connoisseurship: Lan Ying’s 1624 River Landscape after Ancient Masters, Zaixin Hong

Link

Defining Female Authority in Eighth-Century Byzantium: The Numismatic Images of the Empress Irene (797–802), Kriszta Kotsis

Link

Mothers of the Empire: Empresses Zoe and Theodora on a Byzantine Medallion Cycle, Kriszta Kotsis

Submissions from 2011

Link

Rêves à Paris, réalité à Pékin. Pang Xunqin et l’institutionalisation des arts décoratifs en Chine, Zaixin Hong

Submissions from 2010

Link

The Excellent Painter of the Chinese People’: Huang Binhong and Contemporary Art Movements, Zaixin Hong

Social Injustice, John McCuistion

Link

Dual Messages of Power on the Facade of the Casa Montejo, Mérida, Yucatán, Linda K. Williams

Submissions from 2009

Link

An Entrepreneur in an ‘Adventurer’s Paradise’: Star Talbot and His Innovative Contributions to the Art Business of Modern Shanghai, Zaixin Hong

Link

Art Market (1800-1949), Zaixin Hong

Link

History and Collecting of Twentieth Century Chinese Art: Michael Sullivan's Pioneering Survey, Zaixin Hong

Link

Literati Painting (Wenrenhua), Zaixin Hong

Sacre Conversazioni—Byzantine Empresses in Sacred Stories, Kriszta Kotsis

The Future Of Sixteenth Century Studies: Local And Global: Expanding Vision In The Study Of Sixteenth-century Latin American Arts, Linda K. Williams

Link

Local and Global: Expanding Vision in the Study of Sixteenth-Century Latin American Arts, Linda K. Williams

Submissions from 2008

Link

A Preface to Brush and Ink: Kunpei Kawachi, Zaixin Hong

Link

Discourse between Shanghai and Tokyo on the Literati Art Traditions from the Late 1920s to Mid-1930s, Zaixin Hong

Brush And Ink : Kunpei Kawachi, Toshiharu Kawachi, Zaixin Hong, and Aida Yuen Wong

Royal Visions of the Mother of God in Medieval Texts and Images, Kriszta Kotsis

Link

Photographs and Article, John McCuistion

Link

Photographs of Artwork, John McCuistion

Submissions from 2007

Link

Wang Dongling and Contemporary Art, Zaixin Hong

Submissions from 2006

Discourse between Shanghai and Tokyo on the Literati Art Traditions from the Late 1920s to Mid-1930s, Zaixin Hong

Twentieth Century Chinese Landscape Painting in the West: the Case of Huang Binhong, Zaixin Hong

Submissions from 2004

Antiquarianism in an Easy-Going Style: Aspects of Chang T'ai-chieh's Antiquarian Practice in the Urban Culture of Late Ming China, Zaixin Hong

Link

From Stockholm to Tokyo: E. A. Strehlneek’s Two Shanghai Collections in A Global Market for Chinese Painting in the Early 20th Century, Zaixin Hong

Link

Sutonkehorumu kara Tokyo he—nishisaiki shaton, Chugoku koga no kokusai shijo nioteru E. A. Sutsuraheruneku no ni su no korakushon (From Stockholm to Tokyo: E. A. Strehlneek’s Two Shanghai Collections in A Global Market for Chinese Painting in the Early 20th Century), Zaixin Hong

Submissions from 2003

Zhongguo Meishushi Tuxiang Shouce, Zaixin Hong

Submissions from 1999

Link

Pictorial Function and Constitutional Identity in the Painting Khubilai Khan Hunting, Zaixin Hong and Cao Yiqiang

Submissions from 1992

Link

Haiwai Zhongguohua Yanjiu Wenxuan, Zaixin Hong

Submissions from 1989

Link

Shanchuan Youyuan: Zhongguo Shanshuihua Yishu (Symbols of Eternity: The Art of Landscape Painting in China by Michael Sullivan), Zaixin Hong