This collection represents a sample of faculty work from the School of Music. The faculty members of the School of Music are theorists, historians, musicologists, composers, concert artists, music educators, and conductors outstanding in their specialties and dedicated to teaching. They have been trained at the finest graduate schools of music and conservatories. They perform in the Seattle Symphony Orchestra, Tacoma Symphony Orchestra, Pacific Northwest Ballet, Northwest Sinfonietta, and other noteworthy Northwest ensembles. They are active in state and national teaching organizations.

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Submissions from 2014

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Foreword to "Bernstein Meets Broadway: Collaborative Art in a Time of War" by Carol J. Oja, Geoffrey Block

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Review of: John Kirkpatrick, American Music, and the Printed Page by Drew Massey, Geoffrey Block

Submissions from 2013

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Adler, Richard, Geoffrey Block

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Bock, Jerry, Geoffrey Block

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Coleman, Cy, Geoffrey Block

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Foreword to "Show Boat: Performing Race in An American Musical" edited by Geoffrey Block, Geoffrey Block

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Hamlisch, Marvin (Frederick), Geoffrey Block

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Jews And Surrogate Jews On Broadway And The "cost" Of Assimilation (Review of: Transposing Broadway: Jews, Assimilation, and the American Musical by Stuart J. Hecht), Geoffrey Block

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Johnny Johnson: Kurt Weill Edition, Series 1, Volume 13, Geoffrey Block

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Kander, John, Geoffrey Block

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Loesser, Frank, Geoffrey Block

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Loewe, Frederick, Geoffrey Block

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Musical Theater: Genres/Snapshot Introduction, Geoffrey Block

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Musical Theater: Overview of Musical Theater from 1930-1950, Geoffrey Block

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Review of: Marc Blitzstein: His Life, His Work, His World by Howard Pollack, Geoffrey Block

Review of: Transposing Broadway: Jews, Assimilation, and the American Musical by Stuart J. Hecht, Geoffrey Block

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Rodgers, Richard, Geoffrey Block

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Strouse, Charles, Geoffrey Block

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Wright, Robert, Geoffrey Block

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Yeston, Maury, Geoffrey Block

Doing Ethnography in Music Education, Pat Krueger

Submissions from 2012

Celebrating Schubert in 2012, Geoffrey Block

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Foreword to "Irving Berlin’s American Musical Theater" by Jeffery Magee, Geoffrey Block

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Foreword to "Loverly: The Life and Times of 'My Fair Lady'" by Dominic McHugh, Geoffrey Block

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Review of: Analyzing Schubert by Suzannah Clark, Vanishing Sensibilities: Schubert, Beethoven, Schumann by Kristina Muxfeldt, and Schubert’s Fingerprints: Studies in the Instrumental Works by Susan Wollenberg, Geoffrey Block

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Review of: Midnight Frolic: The Broadway Theater Music of Louis A. Hirsch [recording], Geoffrey Block

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Performers on Catfish Row: Porgy and Bess as Collaboration, Gwynne Kuhner Brown

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Whatever Happened to William Dawson’s Negro Folk Symphony?, Gwynne Kuhner Brown

Submissions from 2011

Andrew Lloyd Webber, Interview with Margaret Throsby, Geoffrey Block

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Integration, Geoffrey Block

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Is life a cabaret? Cabaret and its sources in reality and the imagination, Geoffrey Block

The Rise and Fall of William Levi Dawson’s Negro Folk Symphony (1934), Gwynne Kuhner Brown

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Review of: Music Education in the Middle Ages and the Renaissance by Russell E. Murray, Susan Forscher Weiss, and Cynthia J. Cyrus, Paul Harris

Lessons Learned, Keith Ward

Questions from the Choral Conscience, Steven Zopfi

Submissions from 2010

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Foreword to "Broadway, to life! : the musical theater of Bock and Harnick" edited by Geoffrey Block, Geoffrey Block

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Foreword to "George Gershwin" by Larry Starr, Geoffrey Block

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Foreword to "Pick yourself up: Dorothy Fields and the American musical" by Charlotte Greenspan, Geoffrey Block

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Foreword to "South Pacific: paradise rewritten" by Jim Lovensheimer, Geoffrey Block

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Review of: Our Schubert: His Enduring Legacy by David Schroeder, Geoffrey Block

Interpreting African-American Spirituals through Arrangement and Performance: Eva Jessye and Jester Hairston, Gwynne Kuhner Brown, Eva Jessye, and Jester Hairston

Keeping the Spirituals Alive: Eva Jessye and Jester Hairston, Gwynne Kuhner Brown, Eva Jessye, and Jester Hairston

Documenting Fire, Dawn Padula

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Documenting Fire: A Profile of Brian Benfer’s Industrial Series, Dawn Padula

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For the Parlor and the Concert Stage: A Guide to Recent Collections of American Piano Music from the Classic and Romantic Eras, Keith Ward

George Gershwin’s Three Preludes, Arranged for Bassoon and Piano, Keith Ward

International Education and Exchanges, Keith Ward

Life after SYSO, Keith Ward

Paradigm Shifts: Leading to Greater Arts Engagement, Keith Ward

Review of “An Enchanting Read.”, Keith Ward

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They Are What They Hear: A new paradigm for teaching choral music at the college and university level, Steven Zopfi

Submissions from 2009

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Foreword to "John Kander and Fred Ebb" by James Leve, Geoffrey Block

’Houston, We Have a Problem:’ Crisis Management and the Department Chair, Keith Ward

Deal Gently With Thy Servants, Lord, Steven Zopfi

Submissions from 2008

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Bernstein's Senior Thesis At Harvard: The Roots of a Lifelong Search to Discover an American Identity, Geoffrey Block

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Enchanted Evenings : The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber, Geoffrey Block

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Foreword to "Frank Loesser" by Tomas L. Riis, Geoffrey Block

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Revisiting the glorious and problematic legacy of the jazz age and depression musical, Geoffrey Block

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The melody (and the words) linger on: American musical comedies of the 1920s and 1930s, Geoffrey Block

Submissions from 2007

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Foreword to "Sigmund Romberg" by William A. Everett, Geoffrey Block

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Review of: Earl "Fatha" Hines: Selected Piano Solos, 1928-1941," composed by Earl "Fatha" Hines, edited by Jeffrey Taylor, Geoffrey Block

Submissions from 2006

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"bigger Than A Show - Better Than A Circus": The Broadway Musical, Radio, And Billy Rose's 'jumbo', Geoffrey Block

Bring out the Bubbly, It’s Time for Another Mozart Birthday Bash, Geoffrey Block

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Foreword to "Jerome Kern" by Stephen Banfield, Geoffrey Block

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Obituary for Stuart Feder (1930-2005), Geoffrey Block

Empowering Music Student Teachers Through Inquiry: Cooperating Teacher Views, Patti J. Krueger

Submissions from 2004

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Foreword to "Andrew Lloyd Webber" by John Snelson, Geoffrey Block

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"Reading Musicals": Andrea Most's Making Americans: Jews And The Broadway Musical, Geoffrey Block

Submissions from 2003

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Richard Rodgers, Geoffrey Block

Submissions from 2002

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The Richard Rodgers Reader, Geoffrey Block and Scott DeVeaux

Submissions from 2001

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Review of: The Gershwin Style: New Looks At The Music Of George Gershwin edited by Wayne Joseph Schneider, Geoffrey Block

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Review of: The Life of Charles Ives by Stuart Feder, Geoffrey Block

Submissions from 2000

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Adler, Richard, Geoffrey Block

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Bock, Jerry, Geoffrey Block

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Coleman, Cy, Geoffrey Block

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Finn, William, Geoffrey Block

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Hamlisch, Marvin, Geoffrey Block

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Kander, John, Geoffrey Block

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Loesser, Frank, Geoffrey Block

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Review of: Charles E. Ives. Symphony No. 1 edited by James B. Sinclair, Geoffrey Block

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Review of: Symphony No. 1 composed by Charles E. Ives, edited by James B. Sinclair, Geoffrey Block

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Rodgers, Richard, Geoffrey Block

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Schönberg, Claude-Michel, Geoffrey Block

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Strouse, Charles, Geoffrey Block

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Wright, Robert, Geoffrey Block

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Yeston, Maury, Geoffrey Block

Submissions from 1999

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Beethoven: Piano Music, Geoffrey Block

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Gershwin, Geoffrey Block

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Herbie Hancock, Geoffrey Block

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Lorenz Hart, Geoffrey Block

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Not Only for Cock-Eyed Optimists, Geoffrey Block

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Oscar Hammerstein II, Geoffrey Block

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The Descriptive Catalogue of the Music of Charles Ives, Geoffrey Block and James B. Sinclair

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From The Southland, Song, Piano Sketches And Spirituals Of Harry T. Burleigh' - Premier Recordings Prcd-1041 (hilda Harris, Philip Creech, Steven Cole), Keith Ward

Submissions from 1998

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Remembrance of Dissonances Past: The Two Published Editions of Concord Sonata, Geoffrey Block

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And Trouble Came': Musical Responses To Aids - Composers-recordings-inc-cri-cd729 (bolcom, Brown, Bryon), Keith Ward

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The Aids Quilt Songbook - Harmonia-mundi-france-907602 (bolcom,w, Brown,e), Keith Ward

Submissions from 1997

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Enchanted Evenings: The Broadway Musical from "Show Boat" to Sondheim, Geoffrey Block

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Review of: Early Songs composed by Irving Berlin, edited by Charles Hamm, Geoffrey Block

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Review of: Ludwig Van Beethoven: 'fidelio' by Paul Robinson, Geoffrey Block