This collection represents a sample of faculty work from the School of Music. The faculty members of the School of Music are theorists, historians, musicologists, composers, concert artists, music educators, and conductors outstanding in their specialties and dedicated to teaching. They have been trained at the finest graduate schools of music and conservatories. They perform in the Seattle Symphony Orchestra, Tacoma Symphony Orchestra, Pacific Northwest Ballet, Northwest Sinfonietta, and other noteworthy Northwest ensembles. They are active in state and national teaching organizations.

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Submissions from 2013

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Foreword for "Show Boat: Performing Race in An American Musical", Geoffrey Block

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Jews And Surrogate Jews On Broadway And The "cost" Of Assimilation (Review of: Transposing Broadway: Jews, Assimilation, and the American Musical by Stuart J. Hecht), Geoffrey Block

Jimmy Johnson: Kurt Weill Edition, Series I, Volume 13, Geoffrey Block

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Review of: Marc Blitzstein: His Life, His Work, His World by Howard Pollack, Geoffrey Block

Doing Ethnography in Music Education, Pat Krueger

Submissions from 2012

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Foreword for "Irving Berlin’s American Musical Theater" by Jeffery Magee, Geoffrey Block

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Foreword for "Loverly: The Life and Times of 'My Fair Lady'", Geoffrey Block

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Review of: Analyzing Schubert by Suzannah Clark, Vanishing Sensibilities: Schubert, Beethoven, Schumann by Kristina Muxfeldt, and Schubert’s Fingerprints: Studies in the Instrumental Works by Susan Wollenberg, Geoffrey Block

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Performers on Catfish Row: Porgy and Bess as Collaboration, Gwynne Kuhner Brown

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Whatever Happened to William Dawson’s Negro Folk Symphony?, Gwynne Kuhner Brown

Submissions from 2011

Andrew Lloyd Webber, Interview with Margaret Throsby, Geoffrey Block

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Integration, Geoffrey Block

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Is life a cabaret? Cabaret and its sources in reality and the imagination, Geoffrey Block

The Rise and Fall of William Levi Dawson’s Negro Folk Symphony (1934), Gwynne Kuhner Brown

Music Education In The Middle Ages And The Renaissance, Paul Harris

Lessons Learned, Keith Ward

Questions from the Choral Conscience, Steven Zopfi

Submissions from 2010

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Foreword for "Broadway, to life! : the musical theater of Bock and Harnick", Geoffrey Block

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Foreword for "George Gershwin", Geoffrey Block

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Foreword for "Pick yourself up : Dorothy Fields and the American musical", Geoffrey Block

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Foreword for "South Pacific : paradise rewritten", Geoffrey Block

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Review of: Our Schubert: His Enduring Legacy by David Schroeder, Geoffrey Block

Interpreting African-American Spirituals through Arrangement and Performance: Eva Jessye and Jester Hairston, Gwynne Kuhner Brown, Eva Jessye, and Jester Hairston

Keeping the Spirituals Alive: Eva Jessye and Jester Hairston, Gwynne Kuhner Brown, Eva Jessye, and Jester Hairston

Documenting Fire, Dawn Padula

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Documenting Fire: A Profile of Brian Benfer’s Industrial Series, Dawn Padula

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For the Parlor and the Concert Stage: A Guide to Recent Collections of American Piano Music from the Classic and Romantic Eras, Keith Ward

George Gershwin’s Three Preludes, Arranged for Bassoon and Piano, Keith Ward

International Education and Exchanges, Keith Ward

Life after SYSO, Keith Ward

Paradigm Shifts: Leading to Greater Arts Engagement, Keith Ward

Review of “An Enchanting Read.”, Keith Ward

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They Are What They Hear: A new paradigm for teaching choral music at the college and university level, Steven Zopfi

Submissions from 2009

’Houston, We Have a Problem:’ Crisis Management and the Department Chair, Keith Ward

Deal Gently With Thy Servants, Lord, Steven Zopfi

Submissions from 2008

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Enchanted Evenings : The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber, Geoffrey Block

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Revisiting the glorious and problematic legacy of the jazz age and depression musical, Geoffrey Block

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The melody (and the words) linger on: American musical comedies of the 1920s and 1930s, Geoffrey Block

Submissions from 2007

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Review of: Earl "Fatha" Hines: Selected Piano Solos, 1928-1941," composed by Earl "Fatha" Hines, edited by Jeffrey Taylor, Geoffrey Block

Submissions from 2006

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"bigger Than A Show - Better Than A Circus": The Broadway Musical, Radio, And Billy Rose's 'jumbo', Geoffrey Block

Empowering Music Student Teachers Through Inquiry: Cooperating Teacher Views, Patti J. Krueger

Submissions from 2004

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"reading Musicals": Andrea Most's Making Americans: Jews And The Broadway Musical, Geoffrey Block

Submissions from 2001

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Review of: The Gershwin Style: New Looks At The Music Of George Gershwin edited by Wayne Joseph Schneider, Geoffrey Block

Submissions from 2000

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Review of: Symphony No. 1 composed by Charles E. Ives, edited by James B. Sinclair, Geoffrey Block

Submissions from 1999

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From The Southland, Song, Piano Sketches And Spirituals Of Harry T. Burleigh' - Premier Recordings Prcd-1041 (hilda Harris, Philip Creech, Steven Cole), Keith Ward

Submissions from 1998

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And Trouble Came': Musical Responses To Aids - Composers-recordings-inc-cri-cd729 (bolcom, Brown, Bryon), Keith Ward

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The Aids Quilt Songbook - Harmonia-mundi-france-907602 (bolcom,w, Brown,e), Keith Ward

Submissions from 1997

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Review of: Early Songs composed by Irving Berlin, edited by Charles Hamm, Geoffrey Block

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Review of: Ludwig Van Beethoven: 'fidelio' by Paul Robinson, Geoffrey Block

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Review of: The Music Of Gershwin by Steven E. Gilbert, Geoffrey Block

Submissions from 1996

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Review of: Sondheim Broadway Musicals by Stephen Banfield, Geoffrey Block

Submissions from 1995

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Review of: Irving Berlin: A Daughter's Memoir by Mary Ellin Barrett, Geoffrey Block

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Review of: Sondheim's Broadway Musicals and Martin Gottfried's Sondheim by Stephen Banfield, Geoffrey Block

Submissions from 1994

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Review of: Beethoven Forum 1 eds. Christopher Reynolds, Lewis Lockwood, and James Webster, Geoffrey Block

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Review of: The Memory Of All That: The Life Of George Gershwin by Joan Peyser, Geoffrey Block

Submissions from 1993

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Review of: Assassins [Recording] by Stephen Sondheim and John Weidman, Geoffrey Block

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Review of: Beethoven's `Appassionata' Sonata by Martha Frohlich, Geoffrey Block

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Review of: Beethoven: Studies In The Creative Process by Lewis Lockwood, Geoffrey Block

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Review of: The Life and Times of Porgy and Bess: The Story of an American Classic by Hollis Alpert, Geoffrey Block

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The Broadway Canon From 'show Boat' To 'west Side Story' And The European Operatic Ideal, Geoffrey Block

Submissions from 1992

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Review of: "The Art Of Speaking Extravagantly" eine Vergleichende Studie Der Concord Sonata Und Der Essays Before A Sonata Von Charles Ives by Felix Meyer, Geoffrey Block

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Review of: The Broadway Musical: A Critical And Musical Survey by Joseph P. Swain, Geoffrey Block

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Review of: The Charles Ives Tunebook by Clayton W. Henderson, Geoffrey Block

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Review of: The Evolving Keyboard Style Of Charles Ives by Michael J. Alexander, Geoffrey Block

Submissions from 1991

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Review of: Glenn Gould: A Life and Variations by Otto Friedrich, Geoffrey Block

Submissions from 1990

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Gershwin's Buzzard And Other Mythological Creatures, Geoffrey Block

Submissions from 1989

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Frank Loesser's Sketchbooks for The Most Happy Fella, Geoffrey Block

Contradictions Of Control - School Structure And School Knowledge - Mcneil,lm, Patti J. Krueger

Submissions from 1988

Schooling For All - Class, Race, And The Decline Of The Democratic Ideal - Katznelson,i, Weir,m, Patti J. Krueger

Teachers And Texts - A Political-economy Of Class And Gender Relations In Education - Apple,mw, Patti J. Krueger

Submissions from 1987

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Review of: American Musical Review: From The 'passing Show' To 'sugar Babies' by Gerald Bordman, Geoffrey Block

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Review of: Charles Ives: The Ideas Behind The Music by J. Peter Burkholder, Geoffrey Block

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Review of: Good Morning Blues by Count Basie, Geoffrey Block

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Ethnographic Research Methodology In Music-education, Patti J. Krueger