This collection represents a sample of faculty work from the School of Music. The faculty members of the School of Music are theorists, historians, musicologists, composers, concert artists, music educators, and conductors outstanding in their specialties and dedicated to teaching. They have been trained at the finest graduate schools of music and conservatories. They perform in the Seattle Symphony Orchestra, Tacoma Symphony Orchestra, Pacific Northwest Ballet, Northwest Sinfonietta, and other noteworthy Northwest ensembles. They are active in state and national teaching organizations.

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Submissions from 1997

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Enchanted Evenings: The Broadway Musical from "Show Boat" to Sondheim, Geoffrey Block

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Review of: Early Songs composed by Irving Berlin, edited by Charles Hamm, Geoffrey Block

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Review of: Ludwig Van Beethoven: 'fidelio' by Paul Robinson, Geoffrey Block

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Review of: The Music Of Gershwin by Steven E. Gilbert, Geoffrey Block

Submissions from 1996

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Review of: Sondheim Broadway Musicals by Stephen Banfield, Geoffrey Block

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Selected Reviews 1888-1951, Geoffrey Block

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Charles Ives and the Classical Tradition, Geoffrey Block and J. Peter Burkholder

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Ives: Piano Sonata No. 2 ("Concord, Mass., 1840-1860"), Geoffrey Block and Julian Rushton

Submissions from 1995

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Review of: Irving Berlin: A Daughter's Memoir by Mary Ellin Barrett, Geoffrey Block

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Review of: Sondheim's Broadway Musicals and Martin Gottfried's Sondheim by Stephen Banfield, Geoffrey Block

Submissions from 1994

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Review of: Beethoven Forum 1 edited by Christopher Reynolds, Lewis Lockwood, and James Webster, Geoffrey Block

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Review of: The Memory Of All That: The Life Of George Gershwin by Joan Peyser, Geoffrey Block

Submissions from 1993

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Review of: Assassins [Recording] by Stephen Sondheim and John Weidman, Geoffrey Block

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Review of: Beethoven's `Appassionata' Sonata by Martha Frohlich, Geoffrey Block

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Review of: Beethoven: Studies In The Creative Process by Lewis Lockwood, Geoffrey Block

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Review of: The Life and Times of Porgy and Bess: The Story of an American Classic by Hollis Alpert, Geoffrey Block

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The Broadway Canon From 'show Boat' To 'west Side Story' And The European Operatic Ideal, Geoffrey Block

Submissions from 1992

Commentary, Geoffrey Block

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Mozart's Isorhythmic Melodies, Geoffrey Block

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Review of: "The Art Of Speaking Extravagantly" eine Vergleichende Studie Der Concord Sonata Und Der Essays Before A Sonata Von Charles Ives by Felix Meyer, Geoffrey Block

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Review of: The Broadway Musical: A Critical And Musical Survey by Joseph P. Swain, Geoffrey Block

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Review of: The Charles Ives Tunebook by Clayton W. Henderson, Geoffrey Block

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Review of: The Evolving Keyboard Style Of Charles Ives by Michael J. Alexander and John Caldwell, Geoffrey Block

Submissions from 1991

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Organic Relations in Beethoven's Early Piano Concerti and the "Spirit of Mozart", Geoffrey Block

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Review of: Glenn Gould: A Life and Variations by Otto Friedrich, Geoffrey Block

Submissions from 1990

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Gershwin's Buzzard And Other Mythological Creatures, Geoffrey Block

Submissions from 1989

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A New Cadenza for Beethoven's Fortepiano Concerto in C Major, Opus 15, Geoffrey Block

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Frank Loesser's Sketchbooks for The Most Happy Fella, Geoffrey Block

Contradictions Of Control - School Structure And School Knowledge - Mcneil,lm, Patti J. Krueger

Submissions from 1988

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Charles Ives: A Bio-Bibliography, Geoffrey Block

Review of: Understanding Toscanini by Joseph Horowitz, Geoffrey Block

Schooling For All - Class, Race, And The Decline Of The Democratic Ideal - Katznelson,i, Weir,m, Patti J. Krueger

Teachers And Texts - A Political-economy Of Class And Gender Relations In Education - Apple,mw, Patti J. Krueger

Submissions from 1987

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Review of: American Musical Review: From The 'passing Show' To 'sugar Babies' by Gerald Bordman, Geoffrey Block

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Review of: Charles Ives: The Ideas Behind The Music by J. Peter Burkholder, Geoffrey Block

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Review of: Good Morning Blues by Count Basie and Albert Murray, Geoffrey Block

Review of: Women Making Music: The Western Art Tradition, 1150-1950 edited by Jane Bowers and Judith Tick, Geoffrey Block

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Ethnographic Research Methodology In Music-education, Patti J. Krueger

Submissions from 1986

Mozart's The Magic Flute: The Dark Side of the Sun, Geoffrey Block

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Northwest Chamber Orchestra and Seattle Symphony Orchestra, Geoffrey Block

Review of: The Glenn Gould Reader edited by Tim Page, Geoffrey Block

Submissions from 1985

Review of: Thinking About Music by Lewis Rowell, Geoffrey Block

Submissions from 1984

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Some Gray Areas in the Evolution of Beethoven's Piano Concerto in B-Flat Major, Opus 19, Geoffrey Block