Submissions from 1997
Enchanted Evenings: The Broadway Musical from "Show Boat" to Sondheim, Geoffrey Block
Review of: Early Songs composed by Irving Berlin, edited by Charles Hamm, Geoffrey Block
Review of: Ludwig Van Beethoven: 'fidelio' by Paul Robinson, Geoffrey Block
Review of: The Music Of Gershwin by Steven E. Gilbert, Geoffrey Block
Submissions from 1996
Review of: Sondheim Broadway Musicals by Stephen Banfield, Geoffrey Block
Selected Reviews 1888-1951, Geoffrey Block
Charles Ives and the Classical Tradition, Geoffrey Block and J. Peter Burkholder
Ives: Piano Sonata No. 2 ("Concord, Mass., 1840-1860"), Geoffrey Block and Julian Rushton
Submissions from 1995
Review of: Irving Berlin: A Daughter's Memoir by Mary Ellin Barrett, Geoffrey Block
Review of: Sondheim's Broadway Musicals and Martin Gottfried's Sondheim by Stephen Banfield, Geoffrey Block
Submissions from 1994
Review of: Beethoven Forum 1 edited by Christopher Reynolds, Lewis Lockwood, and James Webster, Geoffrey Block
Review of: The Memory Of All That: The Life Of George Gershwin by Joan Peyser, Geoffrey Block
Submissions from 1993
Review of: Assassins [Recording] by Stephen Sondheim and John Weidman, Geoffrey Block
Review of: Beethoven's `Appassionata' Sonata by Martha Frohlich, Geoffrey Block
Review of: Beethoven: Studies In The Creative Process by Lewis Lockwood, Geoffrey Block
Review of: The Life and Times of Porgy and Bess: The Story of an American Classic by Hollis Alpert, Geoffrey Block
The Broadway Canon From 'show Boat' To 'west Side Story' And The European Operatic Ideal, Geoffrey Block
Submissions from 1992
Commentary, Geoffrey Block
Mozart's Isorhythmic Melodies, Geoffrey Block
Review of: The Broadway Musical: A Critical And Musical Survey by Joseph P. Swain, Geoffrey Block
Review of: The Charles Ives Tunebook by Clayton W. Henderson, Geoffrey Block
Review of: The Evolving Keyboard Style Of Charles Ives by Michael J. Alexander and John Caldwell, Geoffrey Block
Submissions from 1991
Organic Relations in Beethoven's Early Piano Concerti and the "Spirit of Mozart", Geoffrey Block
Review of: Glenn Gould: A Life and Variations by Otto Friedrich, Geoffrey Block
Submissions from 1990
Gershwin's Buzzard And Other Mythological Creatures, Geoffrey Block
Submissions from 1989
A New Cadenza for Beethoven's Fortepiano Concerto in C Major, Opus 15, Geoffrey Block
Frank Loesser's Sketchbooks for The Most Happy Fella, Geoffrey Block
Contradictions Of Control - School Structure And School Knowledge - Mcneil,lm, Patti J. Krueger
Submissions from 1988
Charles Ives: A Bio-Bibliography, Geoffrey Block
Review of: Understanding Toscanini by Joseph Horowitz, Geoffrey Block
Schooling For All - Class, Race, And The Decline Of The Democratic Ideal - Katznelson,i, Weir,m, Patti J. Krueger
Teachers And Texts - A Political-economy Of Class And Gender Relations In Education - Apple,mw, Patti J. Krueger
Submissions from 1987
Review of: American Musical Review: From The 'passing Show' To 'sugar Babies' by Gerald Bordman, Geoffrey Block
Review of: Charles Ives: The Ideas Behind The Music by J. Peter Burkholder, Geoffrey Block
Review of: Good Morning Blues by Count Basie and Albert Murray, Geoffrey Block
Review of: Women Making Music: The Western Art Tradition, 1150-1950 edited by Jane Bowers and Judith Tick, Geoffrey Block
Ethnographic Research Methodology In Music-education, Patti J. Krueger
Submissions from 1986
Mozart's The Magic Flute: The Dark Side of the Sun, Geoffrey Block
Northwest Chamber Orchestra and Seattle Symphony Orchestra, Geoffrey Block
Review of: The Glenn Gould Reader edited by Tim Page, Geoffrey Block
Submissions from 1985
Review of: Thinking About Music by Lewis Rowell, Geoffrey Block
Submissions from 1984
Some Gray Areas in the Evolution of Beethoven's Piano Concerto in B-Flat Major, Opus 19, Geoffrey Block