Abstract

In this paper I examine the issues of gender in the performances of Hamlet by Sarah Bernhardt and Eva Le Gallienne. I analyze the cultural contexts for their performances as it relates to their homosexuality both on and off stage. I place these women and their time periods in conversation with each other and then reflect this conversation onto the University of Puget Sound’s 2015 mainstage production of Hamlet starring Cassie Jo Fastabend as the titular princess.

First Advisor

John Lear

Degree Type

Dissertation/Thesis

Degree Name

Bachelor of Arts in History

Date of Award

Spring 5-17-2015

Department

History