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Abstract

This paper examines gender, suffering, and humanity in the HBO series Westworld. I use Dolores, the female robot protagonist of the show, as a case study to explore gender performativity, narratives of suffering, affective agency, cyborg feminism and the uncanny valley. By analyzing the intersections of these theories in Dolores’s story, I illustrate how people and cyborgs alike are both humanized and dehumanized through their gender expression.

Subject

Religions; Religions -- Philosophy; Religions -- History

Journal

Relics, Remnants, and Religion: an Undergraduate Journal in Religious Studies

Publication Date

6-13-2020

Language

English

Publication Place

Tacoma, Washington

Publisher

The University of Puget Sound

Type

article

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