Skip to main content

Art

This collection represents a sample of faculty work from the Department of Art and Art History. The specific education of artists and of art historians, which includes technical skills, visual analysis, and research methodologies, are taught within the context of our liberal arts institution. The department values providing a strong liberal arts education and writing and critical thinking skills are emphasized in all art courses.

Submissions from 2015 2015

The Ethics of Painting: Affect, Aesthetics, and Agency, Elise Richman

Submissions from 2014 2014

An Introduction to Xie Baike Zhongguo Yishu Lunwenji [(The Collection of Writings on Chinese Art by Jerome Silbergled), Guoji Hanxue Tongxun], Zaixin Hong

Florence Ayscough: pioneer promoter of modern Chinese painting in America, Zaixin Hong

Foreword to Mark Tobey and Teng Baiye: Seattle / Shanghai, Zaixin Hong

James Cahill and the Study of Chinese Painting, Zaixin Hong

Opening up modern art space in a cross-contextual paradigm: The Revival Movement of National-Style Painting of Shanghai in the early 1920s, Zaixin Hong

Professor in quoted, Zaixin Hong

Submissions from 2013 2013

A Newly Made Marketable ‘Leftover’: Luo Zhenyu’s Cultural Capital in Kyoto after the 1911 Revolution, Zaixin Hong

Maier Hall Art Guide, Janet Marcavage

Submissions from 2012 2012

Shi zhi lv: Zhongguo he Renben de shiyi hua (The Lyric Journey: Poetic Painting in China and Japan, by James Cahill), Zaixin Hong

Unveiling and Consuming Art in the Multifarious Spaces of Early Modern China (Review of: Pictures for Use and Pleasure: Vernacular Painting in High Qing China by James Cahill and Sensuous Surfaces: The Decorative Object in Early Modern China by Jonathan Hay), Zaixin Hong

Worthy of Your Connoisseurship: Lan Ying’s 1624 River Landscape after Ancient Masters, Zaixin Hong

Defining Female Authority in Eighth-Century Byzantium: The Numismatic Images of the Empress Irene (797–802), Kriszta Kotsis

Submissions from 2011 2011

Rêves à Paris, réalité à Pékin. Pang Xunqin et l’institutionalisation des arts décoratifs en Chine, Zaixin Hong

Submissions from 2010 2010

Social Injustice, John McCuistion

Dual Messages of Power on the Facade of the Casa Montejo, Mérida, Yucatán, Linda K. Williams

Submissions from 2009 2009

An Entrepreneur in an ‘Adventurer’s Paradise’: Star Talbot and His Innovative Contributions to the Art Business of Modern Shanghai, Zaixin Hong

Art Market (1800-1949), Zaixin Hong

Literati Painting (Wenrenhua), Zaixin Hong

Sacre Conversazioni—Byzantine Empresses in Sacred Stories, Kriszta Kotsis

Local and Global: Expanding Vision in the Study of Sixteenth-Century Latin American Arts, Linda K. Williams

Submissions from 2008 2008

A Preface to Brush and Ink: Kunpei Kawachi, Zaixin Hong

Discourse between Shanghai and Tokyo on the Literati Art Traditions from the Late 1920s to Mid-1930s, Zaixin Hong

Brush And Ink : Kunpei Kawachi, Toshiharu Kawachi, Zaixin Hong, and Aida Yuen Wong

Photographs and Article, John McCuistion

Photographs of Artwork, John McCuistion

Submissions from 2006 2006

Discourse between Shanghai and Tokyo on the Literati Art Traditions from the Late 1920s to Mid-1930s, Zaixin Hong

Twentieth Century Chinese Landscape Painting in the West: the Case of Huang Binhong, Zaixin Hong

Submissions from 2003 2003

Zhongguo Meishushi Tuxiang Shouce, Zaixin Hong

Submissions from 1992 1992

Haiwai Zhongguohua Yanjiu Wenxuan, Zaixin Hong